![]() Two of them were re-recorded and released on By Request (1975), Dialogues for Piano and Two Loudspeakers (1963) and Episodes for Piano and Electronic Sound (1964), both featuring Phillip Ramey on piano. Ĭarlos recorded several compositions in the 1960s as a student at the Columbia-Princeton Electronic Music Center. Although their initial meetings were somewhat confrontational (Elkind initially found Carlos "arrogant"), they eventually became friends and began sharing a home, studio, and business premises in a brownstone building in the West Side of Manhattan in New York City. In 1967, Carlos met and befriended fellow Gotham Recorders employee Rachel Elkind, a former singer who had a jazz and musical theatre background and had worked as a secretary for Goddard Lieberson, then-president of Columbia Records. īy 1966 Carlos owned a small Moog synthesizer, which she used to record sound effects and jingles for television commercials, which earned her "anywhere from $100 to $1000". Moog credited Carlos with originating many features of his synthesizer, and that many features that became part of the final production model of the Moog synthesizer originated with the custom modules he created for her, including the touch-sensitive keyboard, a portamento control, a fixed filter bank, and a 49-oscillator polyphonic generator bank that could create chords and arpeggios. Moog recounted that Carlos fed back extensive and very detailed-but always constructive-criticism about his equipment, presenting him with suggestions for improvements to every module, including the shapes and dimensions of the cases. She convinced Moog to add a touch-sensitive keyboard for greater musical dynamics, among other improvements. Carlos ordered custom-designed synthesizer modules from Moog, and gave him extensive advice and technical assistance in the development of what became the Moog synthesizer, Moog's new electronic instrument. ĭuring her time at Columbia, Carlos met Robert Moog at the 1964 Audio Engineering Society show, which began a partnership. She called it "a really lovely occupation" and found it a useful learning experience. After Ussachevsky suggested to Carlos that she work in a recording studio to support herself, Carlos began working as a recording and mastering engineer at Gotham Recording Studios in New York City she worked in this position until 1968. ![]() Carlos studied with Vladimir Ussachevsky and Otto Luening, two pioneers of electronic music in the 1960s they were based in the Columbia–Princeton Electronic Music Center in New York City, the first of its kind in the United States. In 1965, Carlos graduated from Columbia University with a master's degree in music composition, and assisted Leonard Bernstein in presenting an evening of electronic music at the Philharmonic Hall. From 1958 to 1962, Carlos studied at Brown University and graduated with a degree in music and physics, during which she taught lessons in electronic music at informal sessions. In 1953, at fourteen, Carlos won a scholarship by building a computer presented at the Westinghouse Science Fair, a science competition for high-school students. Raphael Academy, a Catholic high school in Pawtucket. She began piano lessons at age six, and wrote her first composition, "A Trio for Clarinet, Accordion, and Piano", at age ten. Her mother played the piano and sang one uncle played the trombone and another played the trumpet and drums. ![]() ![]() Early life Ĭarlos was born in Pawtucket, Rhode Island, the first of two children born to working-class parents. Īs of 2020, much of Carlos's discography is out of print, and has not been licensed for digital distribution to streaming or download platforms. In 1979, Carlos raised public awareness of transgender issues by disclosing she had been living as a woman since at least 1968, and in 1972 had undergone sex reassignment surgery. She composed the score to two Stanley Kubrick films, A Clockwork Orange (1971) and The Shining (1980), and for Tron (1982) for Walt Disney Productions. Its commercial success led to several more albums, including further synthesized classical music adaptations, and experimental and ambient music. Studying and working with various electronic musicians and technicians at the city's Columbia-Princeton Electronic Music Center, she helped in the development of the Moog synthesizer, Robert Moog's first commercially available keyboard instrument.Ĭarlos came to prominence with Switched-On Bach (1968), an album of music by Johann Sebastian Bach performed on a Moog synthesizer, which helped popularize its use in the 1970s and won her three Grammy Awards. Wendy Carlos (born Walter Carlos, November 14, 1939) is an American musician and composer best known for her electronic music and film scores.īorn and raised in Rhode Island, Carlos studied physics and music at Brown University before moving to New York City in 1962 to study music composition at Columbia University.
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